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It was structured, expensive in the way that only people who know fabric understand, and paired with earrings my mother had given me for my thirtieth birthday. Valentina was already in the house, seated at a desk in the study with a laptop and two phones. Carmen Solis had joined on video from Monterrey.
I walked out onto the terrace at 12:07 p.m. They were all there, standing because no one had told them to sit. Thirty-two people in their Easter best looking at the lake view, the stone floors, and the original art on the walls through the open terrace doors.
None of them were laughing. I want to be precise about that. The laughter they had brought from the city, the anticipatory laughter, the kind assembled for the spectacle of someone else’s diminishment, had not survived the drive.
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